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"Above all was Jennifer O’Loughlin, who has already succeeded with Mozart in Munich, Vienna, and at the Salzburg Festival. Her voice, a securely guided coloratura soprano all the way into the extreme high register, had what every Konstanze needs: delicate nuance of expression when she opens her heart and reveals her sadness, but also those dramatic lightning bolts, which authenticate her determination and readiness to die."

—Münchner Merkur

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